Friday, September 29, 2006

Herzog's "Citizen Kane"

Way before he brought us the madness of Timothy Treadwell (aka "Grizzly Man"), Werner Herzog risked his own life by infiltrating and filming another group of nature's most savage creatures: midgets!

Filmed in 1970, Even Dwarfs Started Small is the story of a rebellion of midgets... no, wait, it's the tale of an island institution... hold it, there is that one-legged chicken... oh, and that hilarious camel... Alright, so I don't know what the hell it's about (I bet after the high-grade German LSD wore off ol' Werner didn't either).

Here are three clips from it, anyway, so go screw on your old college film-study beret; I'd like a two page summary by Monday.

Thursday, September 28, 2006

Batman's Next Sidekick

I'm pretty sure this qualifies as a super power:

Wednesday, September 27, 2006

Michael Jackson Re-Animated

This was my 2nd favorite cartoon growing up-- right behind "The Gary Glitter/Peter Billingsley Power Hour." Ah, the early mornings, the Sugar Corn Pops, the amyl nitrate...
Just kidding, this is another bizarre Robert Smigel production.

Monday, September 25, 2006

"Mike Tyson Is A Homo"

In perhaps the greatest bit of trash-talking in sports history, Mitch "Blood" Green calls out Mike Tyson circa 1986, hoping to land a fight. Not only does he call Tyson a homo but he seems to refer to him as Mike "Cicely" Tyson (it's kinda hard to tell). The bonus is that this clip leads into an interview with Green after the guys at The Best Damn Sports Show somehow find him and drag him out of obscurity. All these years later and not only is he still sporting the beret and corn-rows, he's also as incomprehensible as ever.

Ah, Now I Get "The Eye Of The Duck"

After watching this clip, David Lynch's theory seems so simple now. The room is a 2 and the dwarf is a 7, right? Or, hold it, the statue is a 7. So that must mean the dwarf is an 8. Or maybe a 9. Wait, but what about the armchairs? And where's the fucking duck?!

Sunday, September 24, 2006

The Dust And The Struggle

I've always been intrigued by the scenes of Middle East riot/demonstrations. You know, where impeccably dressed young men run around in a frenzy, hurling stones at government forces. It's as if they're all afraid Joan Rivers is lurking somewhere in the shadows, just waiting to ream them for their wardrobe choices. Well, somewhere along the line, this fascination led me to write the following story:

Abil knelt in the sun-blistered street, his knees hard into the concrete, his shirt wet with sweat. All about him danced dark-skinned young men, their shoes skidding in the gravel, their hips jostling against his sharp shoulder blades. He heard them shout, watched them their hurl blunt projectiles into the sunlight, watched the sky blacken with rubble. Yet he was calm; he ignored it all. He ignored the chaos that clashed on all sides-- the hard faces, the flying asphalt. And instead knelt there in the street like the devout at prayer, arms outstretched, searching amongst the shuffling feet for the perfect stone.

His calloused hands crept along in the rubble, grasping first a chunk of splintered concrete, then a sand-smoothed stone. Yet even though he crouched there, low to this task, his back bent like an old man's, his eyes were ever up. Never straying from the shadows at the far edge of the courtyard. His hands, you see, were well accustomed to their work; he left them to it. They knew the line of a well-shaped stone, the heft of one which might fly true. His hands were confident, and his eyes were needed elsewhere-- across the courtyard. For there, in the shadows of a long abandoned tenement building, in its shallow furrow of coolness, stood row upon row of heavily-armed soldiers. The enemy.

Abil was not afraid. He was not intimidated. Instead, he simply sat there on his haunches, eyeing the squadrons from within the teeming crowd. He knew that these forces would stand there for hours, idle, holding their ground. Their shields at chin level, their dark mirrored visors cloaking any trace of humanity. Knew they would wait as long as it took. Patient for the sun to fall and prod the angry crowd, tired and weary, home. There was no hurry. The soldiers knew that the ill-equipped rioters could do them no harm, they lacked the firepower. Indeed, most of the hurled rocks fell pathetically short of their targets. Merely skipping amongst their ankles like wind-whipped locusts, brushing shoe tops or plunking feebly off armored shins. And they also knew that if a youth grew brave, if one crept close enough for any real danger, a well-placed rubber bullet would certainly halt him.

These boisterous youths were really only frisky pups, they knew. Rambunctious, a bit out of hand sometimes, but harmless. And they also knew that any action against them stronger than a swat across the nose might bring the only thing they truly feared: the news cameras. So they waited, patient, as still as the stone columns that lined the boulevard.

Abil felt his left hand snare a promising stone, pull it close. Then he glanced down. He quickly counted the arsenal he had gathered between his knees: several well-rounded cobbles, a handful of sharpened bits of concrete, three halves of brick. Good enough.

He spat into his palms and rubbed them together. The dust that swirled in the heat and gathered on his fingertips could make a perfect throw go awry. And that would not be acceptable. Each stone had a purpose, each stone must ring true. So he spat again into his palms, rubbed them clean. And when he was satisfied, he wiped them on the cuffs of his pants, stood.

Looking down, though, he noticed that the dust had, almost at once, began clinging again to his hands. He sighed. It was always the way. No matter where he found himself. In any number of cities, on any of a thousand sweltering afternoons. There was always the dust. Swirling about him like a pestilence, blotting out the sun.

It seemed sometimes that the dust was the only common thread in his long march of days. The dust and the struggle. The faces of his fellow rioters changed from fight to fight, as did each strange language they barked into the dry air. He'd stood in the Gaza Strip with Palestinians all about him, hurling stones at the Israeli army. Then, years later, at their own police force. He'd stood shoulder to shoulder with Hezbollah. Hamas. The P.L.O. With any number of lesser known factions. He'd rioted in Jordan, in Egypt. Thrown stones in Syria, Turkey, the Golan Heights. First on one side of the government, then the other. And had long before lost interest in keeping track of the differing camps, of the grievances. Instead, all he noticed was that the dust kicked up by the expensive shoes of his companions, that crept into their silken shirts, it was always the same. Always rising slowly into the hot heavy air like quick lime, forever coating his tongue.

It was as if the dust was connected to all of it, somehow an integral part of every skirmish. As if it somehow strung his days together like a child's daisy chain. Perhaps if there was no dust, he sometimes pondered, there would be no struggle. No shouts of fury, no hurled stones, no hatred. Yet, he knew it was silly to think of such things. Pointless. There was no escaping the dust. At each demonstration it rose billowing into the air, higher and higher as the mob's fury gained momentum. Stinging the eyes, the throat. Permeating everything.

He coughed once, picked up a stone. And there, towards the western flank of the stern line of soldiers, spied a target. An inexperienced youth, perhaps, certainly one on his first assignment. From across the courtyard Abil's sharp eyes noticed the soldier had not properly arranged his bullet-proof vest. It lay askew, off his left shoulder. Leaving his left collarbone dangerously exposed. So he gathered himself, hefted his stone. Then launched it into the swirling dust.
He watched it arc across the courtyard, black and swift as a sparrow. And, just before it struck, he allowed his eyes to begin a slow scan down the ranks. He did not need to witness it strike its target. He knew the outcome, he knew his aim was true. Instead, he set about finding his next target. And because of this did not see the young soldier crumple, fall to one knee. Then get dragged backward by his fellows, into the mass of black guards, on his way to the infirmary. Instead, he merely notched an invisible tally in his head and scanned on.

One thousand, he whispered to himself for encouragement, one thousand and the afternoon was still young. It was the accepted rate: one thousand US Dollars for each soldier he sent to the hospital. The next day's paper would confirm the final tally. It was the rate he had received for years, the one he had accepted at countless such altercations. Yet the men who compensated him came from many groups, held many beliefs, followed many prophets. In fact, many of them were sworn enemies. It seemed this was the one they could all agree upon: one thousand US Dollars. Well, and also that whenever such measures were needed, whenever such force was called for, run of the mill rioting was no longer enough.

The news crews, you see, had long grown immune. They disregarded the well- dressed youths hurling asphalt that had once been deemed newsworthy, ignored the burning cars that once drew them like moths. They simply looked the other way. What was needed now was a body count. Of any sort. If not the newsmen would never drag themselves away from their air-conditioned lounges, from their Pernod and cigarettes. If not the riot would never be seen or heard. And since weapons were hard to come by and, even if they were used, the repercussions so harsh, something else was needed. That something was Abil.

So he was shepherded, from city to city, country to country, on such occasions. If news coverage was necessary, Abil was there. Standing faceless in the raging crowd as if he was one of them, picking off careless soldiers with his miracle arm. He could hit a saucer from one hundred meters away, and often did so for new interested clients. Could send upwards of fifteen soldiers to the infirmary in the span of an afternoon. It always piqued the media's interest when seemingly unarmed street youths could do this. And, as Abil's agent always told his clients, if they were lucky, if Allah smiled on them that day, such casualties might anger the rest of the standing force. Send them, in a rage, barreling into the rock-hurling crowd. With truncheons and rubber bullets. And then, perhaps, they might even make CNN.

Yet despite all his successes, despite all the money he'd made, Abil still felt unsure of himself. He felt empty. He had no real beliefs, held no people sacred. He was merely a prostitute. Selling his arm to the highest bidder, damn the ideology. He'd thrown stones with the PLO and then, years later, at them. And felt nothing. Either way.

Sometimes, though, when he was in a foreign land, in bed alone in a darkened room, he wished it were different. Wished he could somehow feel the fire he saw in the faces around him, perhaps know the strength of conviction it took to rage so. Maybe then he might be able to sleep at night. Maybe then he might know peace.

Yet, in the end, such serenity never came. He knew it was hopeless. For how could he embrace any of the ideologies he found himself aiding, how could he rally behind the abuses claimed? All about him were young men in silken shirts and gold chains, thousand dollar shoes and salon clipped hair. Most even looked as if they'd merely been on their way to the discotheque when they happened by the violence. Where was the oppression when such extravagances could be afforded? What were the abuses? The grievances?

Sometimes, in fact, he found himself looking sideways at these privileged young men beside him. Eyeing the hatred in their gazes and wondering to himself if such passion was not misplaced. If it was not simply hatred for the sake of hatred. Despising the government or rival religions merely because that was the way. Because that was how it had always been. Well, how could he embrace such views? He often asked himself. How could he support such ideas?

He could not. It was the answer that always came. He was not one of them. He was not one of any of them. He was, instead, alone. As he had always been. Merely traveling the Gulf, sometimes smuggled across borders in livestock transports, sometimes in car trunks. Hoarding the money he received so that he might one day retire to a quiet port city, away from it all. Away from such hatred. Perhaps then find something in which to believe.

Once, though, a couple of years back, Abil's agent had come with a rumor that had been whispered to him in a darkened bar. A rumor that sparked in Abil a notion that his lonely travels might be, at last, coming to end. That, perhaps, there was some something else at which his arm might succeed, away from the dust and the struggle. It seemed a rich American had heard of Abil and his wondrous arm, had heard of him and wanted him for his own. Now, precisely what this rich American had in mind Abil was not so sure. His agent had mentioned many things-- a certain national pastime, and a sports team, and millions of dollars. But to Abil it was all merely a mystery. All he knew was that the task he was needed for was in the United States. And that was enough.

Abil, you see, had watched many movies about the United States. And in all those movies there had never been any of the swirling dust that plagued his dreams, not one pinch. It seemed a magical place. The air was clear, the sky azure blue. There was no dust and, therefore it seemed, no hatred. And so for weeks he lay awake in his narrow cot, far into the night, dreaming of his new life. Wondering what it was he would do in America, what he was wanted for. Certainly he would not hurl stones. Surely there was no need for such things there. There was no dust and, therefore, no struggle.

Over the weeks stories drifted to Abil of cases upon cases of caviar being sent to consulates, to embassies. Even Prime Ministers. All from his wealthy suitor. Abil had consorted with terrorist groups, he knew this was the reason, his name was on many lists. His emigration, therefore, would be difficult. And the caviar was supposed to grease the wheels of diplomacy, produce the necessary Visa. Or perhaps, if all else failed, generate a set of high quality forged papers. "Anything," this mysterious fellow had been overheard saying, "just get me that goddamn arm."

Eventually, though, word came that it was not to be so. That all of the rich American's gifts had gone for naught. The caviar had been thoroughly enjoyed, but Abil was still a danger. A great one. He could not be allowed to emigrate. Abil was disappointed, yet he held no grudge. America was a wondrous place, this he knew. And they certainly could not risk corrupting it by allowing in such a sinister, empty-souled youth.

Abil coughed once into his shoulder, spat. Then picked up another stone. Across the way there, in the shadows, a soldier had turned his back for a moment. He appeared to be talking to a companion behind. A painful error. One he would probably never repeat. Abil saw the exposed elbow, sheathed only in the canvas of his thin regulation coat. He grinned shallowly, with little satisfaction. And, as the stone leapt from his hand, as it arced across the dazzling blue, only one thought crept its way into his head-- one thousand Dollars. It was the only thing that drew his attention away from the dust, and from the hollowness of his heart.

Now That's What I Call A Filibustering!

You've just gotta love how India hammers out an "across the aisle" deal. In fact, if Iraq's parliament holds up (which is looking pretting slim) I say it ends up looking a hell of a lot closer to this than our own C-Span yawn-a-thon.

Saturday, September 23, 2006

David Lynch Is Insane

Okay, I realize that if you've seen his films you've already had your suspicions. But, after watching the following clip, you'll have to agree it's a done deal. Taken from a BBC interview, his Lynchness attempts to focus the voices in his head into one coherent thought in order to explain his "eye of the duck" theory and how it pertains to life and film-making. He does not succeed (at least not in the eyes of us non batshit-crazy types).
And, as a bonus, here is Siskel and Ebert's original review of Lynch's Blue Velvet. Although Siskel has a handle on the film's twisted sensibilities (even seeming to have enjoyed it) Ebert is obviously over his head. In fact, he can't even focus enough to review the film. All he can do is worry about the mental state of the actors after being "forced" to work with such a madman as Lynch.

Thursday, September 21, 2006

Daily Show: Even Stephen

This does not really tie in with the theme of my blog but... it is quite possibly the funniest thing I've seen in the last year. So screw it.


Thanks to Gorillamask for the heads up.

Wednesday, September 20, 2006

Divine Tongue-Ties David Letterman

When's the last time you saw David Letterman flustered. I mean other than when someone tries to kick him in the head? My point is that it rarely happens. So enjoy the sweat on Dave's brow as he attempts to interview Divine and John Waters (circa 1984). By the way, they are promoting their film Polyester and it's "odorama" gimmick:

And here is Divine performing "Born To Be Cheap" just before the interview:
By the way, my amigo Mike bombarded me with requests for more footage of Divine after my Pink Flamingos clip. I hope this will appease him.

Tuesday, September 19, 2006

Religious People Are Fucking Scary


Maybe you've heard the hub-bub of late over something his holiness, the Infallible One, Pope Benedict XVI said last Tuesday. You know, when he quoted a 14th-century Byzantine emperor's questioning of Islam's use of violence and holy war:

"Show me just what Mohammed brought that was new," his Popeliness said, quoting Manuel II Paleologus, "and there you will find things only evil and inhuman, such as his command to spread by the sword the faith he preached."

Well, as you know, this didn't sit too well with some of our more, how shall I put this, high-strung Muslim friends. In fact, suffice it to say that all hell has broken loose.

So what's strange about this brouhaha? I mean other than the usual civil exchange of ideas between these calm, rational religions?

Well, first off, by the time Manuel II made his speech Christianity had already undertaken at least 10 Crusades, the majority of which were initiated by the Papacy. And what were these but conquest in the name of Lord, butchery in the name of faith. In fact, here is an actual quote from one Raymond d'Aguiliers, a participant in the First Crusade:
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But now that our men had possession of the walls and towers, wonderful sights were to be seen. Some of our men (and this was more merciful) cut off the heads of their enemies; others shot them with arrows, so that they fell from the towers; others tortured them longer by casting them into the flames. Piles of heads, hands, and feet were to be seen in the streets of the city. It was necessary to pick one's way over the bodies of men and horses. But these were small matters compared to what happened at the Temple of Solomon, a place where religious services are ordinarily chanted. In the Temple and porch of Solomon, men rode in blood up to their knees and bridle reins. Indeed, it was a just and splendid judgment of God that this place should be filled with the blood of the unbelievers, since it had suffered so long from their blasphemies.
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So it's the height of hypocrisy for the Pope to say that Islam is the violent religion. And the height of spinelessness for him to use the old "Hey, he said it-- I was just quoting him for shits and giggles" defense.

And, secondly, just in case I was gonna let the other side off easy:

You've just gotta love the Muslim world's reaction to his Papalness' history lesson. There they go, burning him in effigy and calling for another fatwah. As if that hasn't already been done to death. You know, maybe someone should sit them all down and level with them. Tell 'em the Boy Who Cried Wolf fable. Or explain the power of understatement, or of picking their battles. Something.

And then-- nicely, ever so nicely-- let them know that sometimes the logic behind their anger is flawed. You know, like when they rage that the Pope has wrongfully called their religion a violent one. And that, because of this, they must kill him.

Oh, and if anyone would like to drop by for a nice "chat" about my opinions on these matters, feel free. Just don't bother calling first, there are no phones here in Bangledesh.

Monday, September 18, 2006

HST Rips Anthony Burgess A New One



Rarely do you get to see the great ones interact. It happens, sure, just not as often as it should. Like Stanley Kubrick directing Peter Sellers, or Elvis meeting Dick Nixon, or Robert Smith appearing on South Park. These moments are few and far between.

Even rarer still, and all the more satisfying, is that monumental occurrence when such great men go at each other, in the real world. A clash, if you will, of titans.

Well, I happened upon one of these moments a few years back, much to my delight. I'd just purchased Hunter S. Thompson's Fear and Loathing in America, his complete correspondence from 1968-1976. And, mere moments after settling in and cracking it, I came across this letter to Anthony Burgess:
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August 17, 1973
Woody Creek, CO

Dear Mr. Burgess,

Herr Wenner has forwarded your useless letter from Rome to the National Affairs Desk for my examination and/or reply.

Unfortunately, we have no International Gibberish Desk, or it would have ended up there.

What kind of lame, half mad bullshit are you trying to sneak over on us? When Rolling Stone asks for "a thinkpiece," goddamnit, we want a fucking thinkpiece... and don't try to weasel out with any of your limey bullshit about a "50,000 word novella about the condition humaine, etc..."

Do you take us for a gang of brainless lizards? Rich hoodlums? Dilettante thugs?

You lazy cocksucker. I want that Thinkpiece on my desk by Labor Day. And I want it ready for press. The time has come & gone when cheapjack scum like you can get away with the kind of scams you got rich from in the past.

Get your worthless ass out of the piazza and back to the typewriter. Your type is a dime a dozen around here, Burgess, and I'm fucked if I'm going to stand for it any longer.

Sincerely,
Hunter S. Thompson
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Who else could get away with such a expletive-laden, hate-filled letter to one of the 20th Century's greatest writers? No one. I just wish I could read the "thinkpiece" that drew such ire from HST. And find out if Mr. Burgess actually took his advice and drug his "worthless ass out of the piazza and back to the typewriter."

Tune In, Turn On, Get Shot

What do you get when you give a group of soldiers some guns, rocket launchers and several doses of acid each? A mind expanding massacre. Actually it seems the Brits were smart enough not to give the troops they experimented on loaded weapons.

And, in a related clip:
This "experiment" might help explain the ambiguous ending in one of my favorite movies of the 90's, Jacob's Ladder. As you recall, the last scene leads you to believe the whole movie has taken place in Tim Robbins' mind as he is flown, mortally wounded, out of a Viet Nam combat area. In this clip, Robbins' hallucinations become weirder and weirder as he is wheeled through a hospital.

Fun fact: This film won the 1990 Oscar for "Most Effective Use Of Odd Or Misshapen Actor(s) In A Motion Picture," narrowly beating out Macaulay Culkin in Home Alone.

Friday, September 15, 2006

I Put A Spell On You

Alright, if you don't already know the madness that is Screamin' Jay Hawkins... PAY ATTENTION! And, even if you do, I think you'll enjoy this:

Here he performs his classic "I Put A Spell On You." (Yes, he wrote and originally performed it).


So now how about the madman tearing up "Ol' Man River"? And keep an eye out for the dead/rubber snake he liked to wear around his neck.

And to end it all, a bit of trivia:
A) Screamin' Jay died on the same day as Charles Schultz and Tom Landry.
B) He fathered at least 57 children (although some put the number closer to 75).

Wednesday, September 13, 2006

Tutti Frutti, We All Rooty Gonna Die!

From the "in case you didn't watch yesterday's Daily Show" file:

Here's Little Richard helping George W. ramp up the nation's fear.

Tuesday, September 12, 2006

Ted Bundy- Master Of P.R.

First how 'bout a little background:

On July 30th, 1976, Ted Bundy was sentenced to 15 years for aggravated kidnapping after his victim managed to kick him in the nuts and escape just as he was braining her with a crowbar. Immediately afterwards authorities began tying him to more rapes and murders both in Utah and neighboring Colorado. In fact, in April of 1977 he was transferred to an Aspen jail so he could stand trial for a January '75 murder there. It was also around this time everyone began to realize that ol' Ted was also probably responsible for 10 or so murders up in the Seattle area.

While in Aspen awaiting trial, though, Ted somehow convinced those in charge he needed to use the library. And that, in order for him to manage the Dewey Decimal System, he needed his bulky handcuffs and leg-irons removed. Within minutes ol' Ted had jumped from an open window and, without those unsightly manacles weighing him down, was able to spend over a week on the run.

Once back in custody the boys in blue were livid. They lashed loop after loop of razor-wire around Ted and chained him to the... nah, just kidding. Within months of his recapture he'd crawled out a hole in the ceiling of his jail cell, dropped to the floor in a closet and then walked straight out the front door. By mid-January '78 Ted Bundy was in sunny Florida-- tan, hungry and a-knock-knock-knocking on a sorority house door.

Okay, so now you're up to speed. Ted is now awaiting trial for the sorority murders in which he'd bit, raped and bludgeoned four young women-- killing two. But it is not your normal, run of the mill, double murder trial. Not when it involves our old friend Ted. That's because he is, according to The Crime Library, a psychotic super-star:

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The opening of the Chi Omega murder trial sparked immense public interest and a media frenzy. After all, Ted had been suspected of at least thirty-six murders in four states and his name elicited nightmarish images to thousands, perhaps even millions around the world. He was considered by many to be evil incarnate, a monster, the devil and his murders initiated one of the biggest and most publicized trials of the decade.
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So, what's strange about this clip? Well, as I've just told you, Ted was a maniac. He'd slaughtered people without remorse, shattered their skulls and chewed on their flesh. And everyone knew it. Then why is he walking around in this clip unshackled, like he's announcing a run for city council? Mugging for the cameras, busting the DA's balls, reading over his shoulder. Strolling up and down the corridor like he's waiting for the elevator. Is everybody there fucking stupid? My answer: Yes. Stupid and lucky. Lucky he didn't just lunge for a cameraman, gnaw off his nose and start skull-fucking him.

Hunter S. Thompson On Dick Nixon

This clip has gotta be from the mid '70s 'cause the good Dr. is thin, tan and sporting a very LOUD shirt. In it he blasts the Evil One with both barrels, pausing only to drop his cocktail, roll a doobie and snort a bit of coke off his wrist. Oh, how we miss you HST.

And here is a very bizarre 1972 campaign commercial for Tricky Dick's re-election. I'm sure it drove ol' Hunter up the wall (and right to his dealer).

Van Halen vs. Lecherous Dwarfs

Who do you call when you see a couple of pint-sized perverts groping a woman? Why Diamond Dave and the boys from Van Halen, of course. Just be patient 'cause they're all pretty freaking slow getting ready and Dave has to wait for his limo. Oh, and maybe next time make sure the damsel-in-distress isn't actually a dude.

Sunday, September 10, 2006

The Perfect Father's Day Gift

Where does one turn when gravity starts in with it's icy fingers? Weighing on you, pulling at your flesh, tugging down on certain loose bits? Well, for millions of women there is Botox, and face lifts, and breast lifts.

But what if you are a man? And what if your problem area does not yet have a procedure? Are you doomed? Not anymore.

I give you "The Nut Bra."

Clint Eastwood: The Hippie

Who knew Dirty Harry was a tree hugger? I sure didn't. But there he is in this Paint Your Wagon clip, strolling through the forest, singing "I Talk To The Trees." It's a wonder his tough guy image (or career) ever recovered.

Saturday, September 09, 2006

Is This The Penis Pump Lane?


If only he'd used the "hands-free" model:

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AUTO-EROTICISM UNDOES DRIVER

Fri Sep 8, 10:55 AM ET
A Slovak driver who crashed into a bus shocked rescuers who found him unconscious and half naked with a vacuum pump on his penis.

Police said the 42-year-old man, driving an old Citroen in the Slovak town of Levice, had ignored a "give way" sign.

"It's very likely he had auto-sex while driving, it is a matter of investigation. After the accident he was found lying in the seat, his pants were off and it (the pump) was placed on his penis," police officer Peter Polak told Reuters. "I've never seen anything like this, nor have my colleagues," he added.

The man was taken to hospital with head injuries.


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Nazi Sci-Fi Propaganda

Just kidding. On the occasion of Star Trek's 40th anniversary (Aug. 8, 1966), I give you a clip from the only Star Trek episode originally banned in Germany (it was finally released there in 1996). And no, you aren't high, everyone's speaking German. It seemed somehow appropriate.

Friday, September 08, 2006

The People Vs. Garry Flank

On Mr. Show, David Cross and Bob Odenkirk were masters at creating bizarre and, often times disturbing, characters. On any given episode you might see a necrophiliac folk singer or a space age white supremacist or a constipated performance artist. Nothing was sacred. And, yet, nothing actually made me nauseous, either. That is until I saw the following clip. So don't watch this hungover, or right after eating. You've been warned.

Swimming With Sewage

And you thought your job sucked.

Thursday, September 07, 2006

The Great Indoors


If there's one thing the Crocodile Hunter's untimely death has taught us is: It's Dangerous Outside! There are West Nile mosquitos and cancer-causing UV rays and pigeons with bird-flu. And those are just the day-to-day perils facing city folk. What about those daredevils who pack up their SUV's and go camping each weekend? Don't they know they are planting their meaty selves smack-dab in the food chain? Well, they should. And, if they don't already, or if Steve Irwin's death does not serve as a wake up call, I feel I must do my civic duty and attempt an intervention:

Are you listening, tent boy? Do you want to end up on the business end of a sting ray? Or starve to death, trapped under a boulder? Or be torn apart by marmosets? Do you? Of course not. So stay home. Indoors. It's safe there on your couch with your remote, or hunched quietly over your keypad. Nothing is dangerous. Nothing can hurt you.

"Well, what about the times I have to leave?" you ask, "to fetch the mail, perhaps, or go to the bank?"

Shhhh. Hush now. It's okay. Just remember to always use the buddy system, and put on your crash helmet. I'll be praying for you.

Wednesday, September 06, 2006

Please Forgive Me...

I told myself I wouldn't stoop this low, convinced myself that this was below the standards of even this blog...

But, but, I couldn't help it. I blame the war in Iraq, or high gas prices, or sleep deprivation. Whatever it is, something has come over me. I... I'm sorry.

Tuesday, September 05, 2006

"The Penis Is Evil," So Sayeth Zardoz

If you haven't seen the 1974 movie Zardoz then you've just gotta... well, on second thought, I'm not gonna recommend it. It's early 70's sci-fi camp ala' Logan's Run/Barberella and who, really, needs that. But it does have a few things going for it:

A) a giant, floating head.
B) a plot hinging on L. Frank Baum's The Wonderful Wizard of Oz.
C) a porno-moustachioed Sean Connery prancing around in boots and a bright-red loincloth.

You know what? I am gonna recommend it!


Monday, September 04, 2006

The Devil's Handiwork

In this 1933 Newsreel we meet Cecil Dill and learn of his ability to play squeaky music from 'twixt his palms. Even more entertaining than the actual exhibition of this talent is his wide-eyed, breathless explanation of how he stumbled upon it.

It's too bad they cut the interview short, though, because we don't get to hear him tell of his mother's disapproval of this, the "Devil's Hand Harp." Nor how, after years of her constant derision of it, he finally "did her in and made a nice end table and matching lampshades out of her."

Thanks to Russ for forwarding me this clip of Ed Gein's neighbor.

Sunday, September 03, 2006

VD Is For Everybody

How do I go about getting me some of this VD? It sure looks everyone who's got it is having a lot of fun.

Midget Sex Parties


I'm not sure which tells you more about how my upbringing influenced my state of mind:
a) my mom found this in the newspaper and thought it'd interest me, or
b) it does and I'm posting it.

Whichever, welcome to my world:

If you've ever seen the movie Trainspotting then you've got a pretty good idea of the state of mind of writer Irving Welsh. In fact, if you wanna know the truth, that novel might be one of his tamer works (check out Filth if you don't believe me). Well, most recently, Mr. Welsh has turned his attention to a subject near and dear my heart, as he explains in the following article:
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They looked the picture of innocence. But behind the scenes of TheWizard of Oz, the actors playing the munchkins were said to be indulging in drunken orgies. Now Irvine Welsh has turned their story into a play - and sparked a storm.

Thursday July 20, 2006 The Guardian

Babylon Heights, the play, focuses on the performers in The Wizard of Oz, people who were arriving in Hollywood for the first time, intent on realising their dreams. Los Angeles is still packed with hopefuls waiting tables and valeting cars. Few will make it, but the allure is always present, perhaps now more than ever. From our perspective, this was where the most compelling drama lay.

We decided that Babylon would be about the "little people" of Oz, the munchkin performers. There is an old myth that in the film's original print, during the Tin Woodsman scene, the small shadowed figure you can see is actually a dead munchkin hanging from a tree. The official line was that it was a dead bird. Our starting point was to take this myth as a reality.

Babylon Height's munchkins are all self-reliant people, using their own devices to get through a very grim and desperate period in their lives. One of them is a pretentious but proud thespian who defeats a strong man in physical combat, another is a drug addict wiseguy with a heart of gold, yet another is an idealistic dreamer with green fingers.

During filming, Judy Garland and Wizard of Oz producer Mervyn Le Roy commented on "dwarf sex parties" and "orgies and drunkenness" among the munchkin actors. Well, what else were they supposed to do? The small people, billeted separately from the other performers, were under de facto house arrest in their Culver City hotel. They were taken from there directly on to the studio set, and then taken straight back. The actors have since claimed, in accounts of that period and biographies, to have been paid far less than the other actors, even less than the dog playing Toto.

The munchkin actors were largely young people, many of them away from home for the first time and thrown together in a pressure-cooker environment. The fact that they happened to be of restricted growth is almost irrelevant. They did what they did, which in the case of the play is what we imagined most people in that position would do. What we see in Babylon Heights are human beings in a state of relative powerlessness, trying to cope as best they can.

We decided not to use persons of restricted growth as actors.
Instead, we opted to deploy regular-sized performers and outsized furnishings and fittings. This was the hardest call, and it took a lot of soul-searching. But we decided we didn't want to have a situation whereby sensationalist elements of the media might portray the experience as a bunch of "normal-sized" people sitting in a theatre watching "dwarfs" perform. Crucially, we wanted the audience to feel empathy with the performers, to feel that they, too, were small and locked into an outsized, inhospitable space with larger, often menacing figures lurking outside.

The play resolutely attacks the spirit of discrimination, including the type actively practised by the studio at the time. It does this not by painting the characters as perfect and virtuous, but by making them real people. We have assumed that they have a sexuality, are influenced by carnal needs and experience the drives common to most human beings. I have yet to see any dramatic representations of persons of restricted growth that acknowledges this very basic fact.

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As far as I can tell it is still only playing in Dublin and San Francisco. So, until it hits the road, I guess those of us not living in these midget hotbeds will have to survive watching and re-watching the 1981 film Under The Rainbow starring Chevy Chase and Billy Barty.

Evel Freakin' Knievel

If you'd have asked me when I was ten years old who should be on Mt. Rushmore, I would have said, without hesitation: Gene Simmons, Paul Stanley, Lee Majors and, most importantly, Evel Knievel. I'm serious, those guys were gods. In fact, it's weird mentioning Col. Steve Austin or Mr. Knievel to young 'uns these days. Most of 'em give you a quizzical look and ask, "wasn't he bionic?" or "didn't he try to jump a river or something?" Are you fucking serious?

Now, if you're curious where I'm going with this. Maybe wondering if I've gone all maudlin on you-- think again. I bring this up only because these feelings are in the past. Sure I still enjoy listening to KISS once in a while and it's a tad sentimental/humorous to see Steve Austin battle Sasquatch. But they are not ethereal beings to be worshipped anymore, they do not move me. Not even the great Evel Knievel.

And so I present to you Evel Knievel, my childhood idol, at his worst: crashing into the asphalt, tumbling, femurs shattering in slo-motion. At long last human.

Jan. 1 1968, at Caeser's Palace, Las Vegas


May 31, 1975 at Wembley Stadium, London

Saturday, September 02, 2006

HAIL SATAN!

This great clip is from the 1922 Swedish flick Haxan depicting an orgy with the Devil. It is exactly as I've always pictured such a party, right down to the guests lining up to kiss Satan's ass and the Evil One feverishly churning his butter as he watches the spectacle.

It Takes A Knife-Wielding Maniac To Raise A Child

And we harass our mom for spanking us with a wooden spoon when we were kids...

Friday, September 01, 2006

Sexual Harassment And You

Here's another clip from the off-kilter mind of Robert Smigel. This time he tackles the brutally ambiguous topic of Sexual Harassment. And, yes, that's Superbowl MVP Tom Brady grabbing Amy Poehler's breast.